Thursday, October 31, 2013

Good Masters! Sweet Ladies!: Voices from a Medieval Village


Good Masters! Sweet Ladies!
Laura Amy Schlitz
Candlewick Press, 2007

Awards: 2008 Newbery Award Winner

Suggested Delivery: Whole Class (Reader’s Theatre)

Reading Level:
  • ·      Grade Level: 6
  • ·      Fountas and Pinnell: Z 
Key Words:
  1.   Medieval
  2.   Class system
  3.  Monologue
  4. World History
  5. England 

Vocabulary: friants (2), forge (6), anvil (9), dysentery (18), vanquish (18), valiant (35), frank (35), selfsame (43),

Summary: This book is constructed of a series of 17 monologues and 2 dialogues, spoken by various child characters living in 13th Century, England. Speakers range from the Lord’s daughter and nephew, to the children of the town beggar and blacksmith. This witty and historically accurate collection creates an intriguing bridge to the people and places of medieval England.

Before: Prior to reading, the class will have a discussion on reader’s theatres.
  • ·      Involves sharing literature by reading aloud and performing dialogue of assigned characters
  • ·      Can be a more interesting way of learning material or becoming more fluent.

Additionally, we will discuss the use of monologues.
  • ·      Definition: a long speech by one actor in a play or movie, or as part of a theatrical program
  • ·      Used to exemplify the in-depth perspective of just one person.

Lastly, students will be assigned a role, and will briefly review their own poems, looking for words that need to be defined, or meanings that need clarification.

During: While the book is being performed as a class, students will record the following from at least 3 monologues, in addition to their own.
  • ·      Setting
  • ·      Main idea of the monologue
  • ·      Mood of the dialogue
  • ·      Character’s class
  • ·      Favorite quote
     In addition, pause after the dialogue of Petronella and Jacob, and discuss the following:
  • ·      In the Middle Ages, the characters of Petronella and Jacob would have been at odds with one another in society because of their religion. In reading their dialogue, are there are any real differences between the characters? What do you think of their societal separation?


After: Students will be combined in groups comprised of actors whose character’s belong to different social classes. There will be at least one noble, one middle class, and one peasant class character in each group. While discussing the character analysis facts they recorded, students will talk about the pros and cons of belong to one class over another. Questions to consider:
  • ·      Which character lived the hardest/easiest life?
  • ·      What did we learn about the Middle Ages?

Writing: Basing your responses on the characters we read about in Good Masters, Sweet Ladies!, which of their classes or lifestyles would you rather belong to?
  • ·      Is any lifestyle better than the other, or are they simply different?
  • ·      What are some pros and cons of belonging to either social class?

Electronic Resources:
o   Reader’s Theatre example
o   Teacher’s guide

Schlitz, L. (2007). Good Masters! Sweet Ladies!: Voices from a Medieval Village. Cambrige:             Candlewick Press. 

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